They may also discuss costume and character ideas with performers. These plots ensure that colors and styles do not mimic each other in the same scene, and highlight the characters' emotional journeys by varying the intensity and depth of colors.Ĭostume Designers must carry out research in to the costume styles, designs and construction methods which are appropriate for the productions' time period, using a number of resources including libraries, museums and the Internet. They then begin the more complex task of developing costume plots for each character. Costume Designers also supervise practical issues, such as departmental budgets and schedules, the organization of running wardrobes, and costume continuity.ĭuring pre-production Costume Designers break down scripts scene by scene, in order to work out how many characters are involved, and what costumes are required. As heads of the costume department, Costume Designers are responsible for staffing, and for managing a team of skilled personnel. Their creative work ranges from designing original costumes, to overseeing the purchase and adaptation of ready made outfits. Costume Designers' work is integral to defining the overall 'look' of films, and their role requires a great deal of expertise. This must be achieved within strict budgets, and to tight schedules. ![]() They are in charge of designing, creating, acquiring and hiring all costumes for actors and extras. Please note there appears to be no option for a credit as a Costume Breakdown Artist on the list below, therefore I have had to select Costume Maker instead.Costume Designers start working on films at the beginning of pre-production. Due to my experience in TV, I am also well versed in set etiquette and understand how the system works. I can make anything in fabric, have excellent design interpretation skills and I’m also good with clay, papier mache & Fimo. I have an aptitude for drawing, painting & modelling as well as my proven skills in dress/costume making, free-motion machine embroidery and design. I would love to use more of my multiple skills along with my breakdown skills. ![]() I have just completed some Daily work as Drapesmistress on Dope Girls. ![]() I have had further Daily work on Dr Who as a Drapes & Textile Props Maker this year, as well as further Costume Breakdown work on Trigger Point & and an unannounced feature, where I also made a prop dog & puppet head. I also worked in my first role as a Textile Scenic Artist for Bay Productions from Aug-Nov 2022. I went on to work as Costume Breakdown Artist for Wild Creations, The Change for Channel 4 and on Augustus for Apple Productions (Jan-Feb 2023). I worked on horror film - Darkgame, from March- April, 2022 in my first role as Costume Breakdown Artist, followed by daily work throughout the year on Dr Who as a Textile Props & Drapes/Upholstery Maker. In 2022 I decided to specialise in Costume, drapes & prop breakdown & Making and completed a Costume Breakdown course with Rosi Flood in January of that year. I am a creative individual with an excellent design eye, as proven from working in TV & theatre for several years, as Costume Designer, Supervisor & Maker.
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